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    You are at:Home»Arts»A Storm, A Murder & Pure Mayhem: Why Prestige Might Become Our New Favorite Series
    Arts

    A Storm, A Murder & Pure Mayhem: Why Prestige Might Become Our New Favorite Series

    Malak ShalabyBy Malak ShalabyApril 14, 2025Updated:April 15, 2025No Comments4 Mins Read0 Views
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    A stormy night. A downtown Cairo café. Twelve strangers. One murder. Oh and zero power. What starts as an eerie thriller with Agatha Christie vibes quickly morphs into a genre-bending wild ride with bold visuals, dark comedy, and characters that feel just familiar enough to hit close to home. Prestige is coming to Yango Play on April 24, so get ready to binge.

    Here’s why this series is absolutely going to be the talk of group chats, TikToks, and conspiracy theory threads for weeks to come:

    It’s Giving Agatha Christie, But Make It Egyptian

    Its locked-room mystery meets Egyptian class commentary, with each character bringing the drama and the shade. The power cuts out, someone’s dead, and no one’s leaving until the killer is unmasked. Sound familiar? Yes. But not like this. It’s classic whodunnit… or is it?

    Mostafa Gharieb & Mohamed Abd Elrahman Are in the Lead

    Mostafa Gharieb is the uncontested king of Ramadan 2025, and he’s bringing that same comedy gold energy here. No one mixes funny, clueless, and lovable like Gharieb does, and if his past performances are anything to go by, he’s about to steal every scene he’s in. And it’s not just him.

    He’s joined by one of the comedian actors out there, Mohamed Abd Elrahman (toota), Samy Maghawry, Dina, Alaa Sinan, Amina ElBanna, Mohamed Abdelaty, and Moaz Nabil. It’s the kind of cast that gives you every flavor, every expression, every class tension. And, of course, they will keep you guessing the whole way through.

    The Vibe Is Haunting in The Best Way

    This isn’t your regular drama. The smoke, the circular camera work, the echoing bell, the life-sized cat figures, and the feeling that everyone’s just a little too stuck, too scared, and too symbolic? It’s all intentional.

    There’s something almost surreal about the visuals in Prestige, like the whole café is a metaphor for society. Or maybe just the chaos in our heads. Either way, it’s deep but not heavy. Creepy but fun. We love a good aesthetic with a side of existential dread.

    Via Instagram
    Via Instagram

    A Cast That’s Literally A Microcosm of Egypt

    This isn’t just a bunch of random characters thrown into a plot twist. The creators said it loud and clear: each person was picked to reflect a different class or walk of life in Egypt.

    Whether it’s someone from upper-class Zamalek energy, or downtown grit, or your typical mid-range uncle with conspiracies for days, it’s giving spectrum. It’s giving layers. And the dynamics between them? Chef’s kiss. Social tension, passive aggression, unspoken power plays, it’s all in there.

    Via Instargam
    Via Instargam

    Guest Stars Who Could Carry Entire Shows on Their Own

    Yousra. Ahmed Dawood. Shimaa Seif. Mohammed Tharwat. These aren’t just blink-and-you’ll-miss-them cameos. They’re full-on moments. Each guest star adds a spark of chaos or comedy or gravitas that flips the energy of the episode they’re in. It’s unpredictable, it’s fun, and it keeps Prestige feeling fresh without losing its core.

    8 Episodes. No Fillers. No Flops.

    Look, our attention spans are fighting for their lives. We don’t want 60 episodes and three filler seasons; we want punchy, plot-twisty, aesthetically gorgeous content we can finish in a weekend. Eight episodes of pure chaos, comedy, and crime-solving? Perfect. No commitment issues here.

    Via Instagram
    Via Instagram

    The Minds Behind Paranormal and Safah El Giza Team Up

    Amr Salama’s CV speaks for itself. He’s the director behind Paranormal; Egypt’s first Netflix original and one of Variety’s best international shows of 2020. He knows eerie. He owns eerie.

    Add to that his filmography of cult favorites like Sheikh Jackson, La Mo’akhza, and his comedy chops from directing Saturday Night Live Arabia, and you know this guy understands both mood and punchlines.

    And then there’s Injy Abou El So’oud. You might’ve first known her as the witty commentator from shows like Salizon and Vignette, where she hilariously broke down TV shows and pop culture. But she’s not just talking about scripts anymore. She’s writing them.

    Engy previously penned Safah El Giza, a chilling series based on a real serial killer case. So yeah, she knows how to handle a murder plot. And in Prestige, she’s proving she can do it with edge, humor, and a lot of heart.

    Via Instagram
    Via Instagram

    Final Verdict?

    Between the stormy backdrop, the eerie café vibes, the chaotic mix of characters, and the genius casting, Prestige might just be the most unhinged show of the season. Whether you’re in it for the whodunnit, the metaphorical storm of modern life, or just the memes that are 100% going to come from it, you’re in for a ride.

    WE SAID THIS: Don’t Miss…5 Reasons Why We Can’t Wait for Mena Massoud’s ‘Fe Ezz el Dohr’

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    Malak Shalaby
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    Malak cannot seem to get enough of Literature - so much so that she has pursued it in both her BA and MA, and the love affair is still going strong. Aside from her love for words, humans generally fascinate her. She spends a lot of her time analyzing the minds of people around her and watching criminal minds. She is still fairly new in adulthood, and until now, nothing has made sense in life but chocolate.

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